Update: I just finished the work on version 1.2, which I now offer as a free download below. This version brings an all new „decent“ GUI, kindly created by DeLaMancha , the de-normal and multicore-problems are (hopefully) fixed.

De Essers For Mac 2017

Also a few other internal improvements are addressed in this release. A screenshot of the current version (loaded in Sonar): Here’s a little description taken from the included user manual: About: Tonmann DeEsser is a basic high frequency dynamic processor VST plugin, called a DeEsser because it’s mainly designed to get rid of „stinging“ sibilants that may occur on vocals after compression or adding a high boost.

It may be used with any host software that can load and use VST2.4/32bit-compatible plugins, tested by the author are Cakewalk Sonar (4, 7), Sony Sound Forge (9) and DirectiXer (2.5). It should work in 64bit hosts using a “bitbridge”, but this is untested by the author. User-feedback about compatibility (or not) with other host softwares is welcome and very appreciated.

The plugin has been carefully designed to suppress any artificial or alienated sound that may arise under awkward situations with some other (even some hardware) DeEssers. Hi Christian Thanks for putting the DeEsser online. I wonder if you could help me with a question I am a total newbie with this, I don’t have any sound engineering experience. All I want to do is apply it to a spoken track (my own) and knock back some of the sibilants so they don’t sound so sharp.

De Essers For Mac Os

Could you suggest a standard set of settings that I can use with the plugin? I don’t really have the expertise to adjust it each time, I’m just looking for something that will do a quick cleanup. Thanks in advance. Hi William, did you check the included PDF-manual yet? There’s some short how-to starting at page 3. If you really need a faster solution, select a preset that fits your setup (sex of speaker, type of microphone) and adjust the „ATTEN.“-knob while the audio is running. If the speaker starts to lisp, turn the knob a bit counter-clockwise again.

When you’ve found a setup that sounds good to your ears, simply save it as a new preset so you can re-use it the next time without having to tune the settings from the scratch again. Hope that helps. If not, let me know! Cheers, Chris(tian).